What a well written car chase
It's easy to WRITE a car chase scene. However, I'd like to see so many details happen in an actual car chase. It wont happen. To much dialogue and thought in a scene that can't of lasted that long.
Slow-mo is for scenes that would normally happen too fast for the viewer to truly catch the moment fully. It's not so you can shove a bunch of extra movements and dialogue in, not that you can even do it that way.
suggested soundtrack https://www.youtube.com/watch?v=8Sk1GFXVkU8 (it's not déjà vu)
what's a good laugh, but would have prefered to have some knowledge of the road
my guess is that it's late at night, they are going to another city (no other traffic) but don't understand why so many curves (¿mountain pass?)
first page: that seems backwards, the vehicle would accelerate forward.
second page: ¿how did you miss the only other car on the road, specially considering that was using the high beams?
dude, you are driving, give the phone to the passenger, oh, right, she's busy with her gun. (¡go, yankeeland!)
luckily she has a better grip and doesn't seem nervous for all the movement that will come.
third page: ¿how is the SUV beating them at the curves? ¿shouldn't the nimbler car have an edge?
also, I can't even imagine such speeds
fourth page: oh, dear.
fifth page: ¿how did the SUV miss them? ¿wasn't trying to crash against them?
sixth page: that's a great holster
what's a good laugh, but would have prefered to have some knowledge of the road
my guess is that it's late at night, they are going to another city (no other traffic) but don't understand why so many curves (¿mountain pass?)
first page: that seems backwards, the vehicle would accelerate forward.
second page: ¿how did you miss the only other car on the road, specially considering that was using the high beams?
dude, you are driving, give the phone to the passenger, oh, right, she's busy with her gun. (¡go, yankeeland!)
luckily she has a better grip and doesn't seem nervous for all the movement that will come.
third page: ¿how is the SUV beating them at the curves? ¿shouldn't the nimbler car have an edge?
also, I can't even imagine such speeds
fourth page: oh, dear.
fifth page: ¿how did the SUV miss them? ¿wasn't trying to crash against them?
sixth page: that's a great holster
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| It's easy to WRITE a car chase scene. However, I'd like to see so many details happen in an actual car chase. It wont happen. To much dialogue and thought in a scene that can't of lasted that long |
This slightly feels like being among those
NOOOOOOOOOOOOOOOOOO I WAS GONNA READ THE BOOOOOKKKK 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭 @Vilch could you pm me the title and author? Pleease? *attempts big eyes*
iirc, Hour Game (David Baldacci)
(it was on the King and Maxwell series)
@Vilch: ¿why did you do that?
(it was on the King and Maxwell series)
@Vilch: ¿why did you do that?
| NOOOOOOOOOOOOOOOOOO I WAS GONNA READ THE BOOOOOKKKK |
| @Vilch: ¿why did you do that? |
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You read a book with EXPLICIT scenes and SWEARING? Off to eternal fire with you, that's thought crime of the highest caliber!
I think I can read swearing without speaking it. What you think, is different to what you exact. Hopefully.
I did not read the erotic content, I skipped a page when it came, fortunately I was able to avoid that, and not miss key information to the actual investigation. But that doesn't mean that, if he does get the book, @highwayman would skip it. Goodness fish, I do not want to make an innocent person read something that could make them a...macho.
@ne555
You're familiar to the two detectives?
I did not read the erotic content, I skipped a page when it came, fortunately I was able to avoid that, and not miss key information to the actual investigation. But that doesn't mean that, if he does get the book, @highwayman would skip it. Goodness fish, I do not want to make an innocent person read something that could make them a...macho.
@ne555
| (it was on the King and Maxwell series) |
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